Sunday, 17 October 2010

New Music #13 Neil Young

Neil Young-Le Noise

On first listen of this record I was pretty disappointed. Neil's one of those artists that I often hail as untouchable, but he's put out so many records over the years that they're not all going to be immaculate (in my eyes).

At times, this album threatens to take off...you hear Neil's raw guitar sound and you're ready to head into a messy, rock-fuelled classic. More often than not however, each track is slightly held back, and its urgency is lost. The first real highlight comes midway in the form of the acoustic 'Love And War'. This was the only track that impressed on my first listen and definitely stands alone.

The other acousic track on the record-'Peaceful Valley Boulevard' is probably the other strong point. I'm normally such a fan of Neil's electric sound that it was a surprise to me that my favourites were his softer songs. I think the rockier, electric tracks are missing the 'edge' that he is known for. They seem half-hearted a times. Perhaps it was a conscious decision not to recreate his classic sound...going for something different; but it just didn't work for me.

Listen out for a hint of 'In Those Jeans-Ginuwine' at the beginning of 'Peaceful Valley Boulevard'!!! Must be one of Neil's influences!!

Saturday, 16 October 2010

currently listening to...Anthony and the Johnsons

Anthony and the Johnsons-Swanlights

The new album from Anthony Hegarty and co was released last week. It sees a collaboration with Bjork on 'Fletta' and comes with a 144 page book filled with a variety of Anthony's paintings, photography and writings.

An artist that creeps into my range, (at times just about), and one whose artistic integrity can never be questioned. Powerful, emotional and often extremely melancholic...as with every Anthony record this is filled with feeling. 'Ghosts', 'Fletta' and lead single 'Thank You For Your Love' stand out.

Kings Of Leon-Come Around Sundown...thoughts

Kings Of Leon-Come Around Sundown

I told a friend I was going to give this a listen whilst making a journey up the M1 late at night. His response: 'good luck'. Why? He hadn't heard it.

I would probably have said the same to him if it had been the other way round. Why? I didn't know what it would be like.

I'll tell you the answer and save you reading the pointless and endless debates posted on guardian music et al about this band. Yes it's true their first couple of albums were great, their third OK and their fourth very uninspiring and not to my liking.....but they don't do themselves any favours. They recently slated both the songs that made them HUGE and their fans for no longer being cool. Fair enough...maybe they wrote an album and didn't like the way it sounded (don't release it you're saying). They weren't a fan of their new founded commercialism and success. Maybe they didn't like the fact that they were being played in very uncool nightclubs and in the rooms of 12 year old girls....(this didn't stop them from playing arenas and generally showing themselves as mainstream boy band pricks).....but all of this made their next album CRUCIAL.

When I was thinking of a way of summing up the record to my friend all I could think of was that they have pretty much dropped their commercial sing-along stadium fillers, but forgotten to replace it with anything....and that is exactly what I stick by. 'Come Around Sundown', as clear from both title and artwork and more importantly the music-is a nothing album. It certainly doesn't put KOL back on the map as a gritty, raw rock band like 'Youth And Young Manhood' did. It also isn't another 'Only By The Night'...although they'll get a similar fanbase from it I'd imagine.

When I heard the lead single 'Radioactive' I was certain they'd carry on the same route as OBTN, but the majority of this album tries to be more laid back and less stag night sing-along. I guess it does....but it does so extremely unconvincingly. I read somewhere that it sounds like an album that the band aren't confident about and I'd completely agree with that. It's the sound of a band struggling and not knowing where they belong or who they want to buy their records.

I can't see this record taking off like OBTN did, but I guess it was never going to. All it will do is struggle to keep those 'uncool' fans they didn't want, whilst struggle to regain the fans they lost 1-2 albums ago.

I don't hate this band, I just think that they've shot themselves in the foot so many times and this album is another prime example. They needed to do something big-and this album is anything but that.

request blogs....

Recently had a couple of requests for blogs on certain bands/albums.

Tell Vulgar Picture what you're listening to and we'll probably listen to it too and write our thoughts!

Comment on any blog with comments and recommendations!!!

Friday, 15 October 2010

currently listening to...Two Door Cinema Club

A kind of guilty pleasure I guess. With a name like Two Door Cinema Club they should be a band that I can't stand. Their album was played endlessly to me over the past few months and gradually I came to be quite a fan of 'Undercover Martyn', 'What You Know' and perhaps a couple others. Yes it's indie-pop, but once in a while it can't hurt.

Monday, 4 October 2010

currently litening to...Beck

Beck-Modern Guilt

The 11th album from the American multi-instrumentalist.  After being nominated for a Grammy, it lost out to Radiohead's In Rainbows....can't really complain about that one!

Friday, 1 October 2010

and the world laughs with you

Flying Lotus ft Thom Yorke-And The World Laughs With You

http://www.youtube.com/watch?v=KvZmd1ceCLY

currently listening to...The Beatles

The Beatles-Revolver

Often cited as their best record, and I don't think I can disagree. 'I'm Only Sleeping', 'And You Bird Can Sing', 'Love You To', 'Doctor Robert', 'Tomorrow Never Knows', 'She Said She Said'...the whole album is amazing. Mad to think that this was 1966...so ahead of its time. 

Glasto 2011...be on the ball!

Make sure you don't leave it too late!

http://www.nme.com/news/glastonbury/53241

Thursday, 30 September 2010

last night...Mona at Flowerpot

Mona...the band that will soon be on everyones Ipods.

I spoke of them a couple weeks ago (see New Music #6), after hearing them for the first time-I had a sense that they were going to be huge! I was at their first UK gig last night at Kentish Town's Flowerpot. A tiny venue and a great one to see this band, as you get the sense that they'll be heading for bigger and bigger venues before long.

Huge similarities to Kings Of Leon have been drawn and this is fair. At times rockier, at times more authentic, there's a catchy hook to each song, and pretty soon they'll be flooding the radio.

Was a great gig and hopefully will be catching them at KOKO on Friday too. Check them out now!!!


http://www.myspace.com/monatheband

Tuesday, 28 September 2010

Building Steam From A Grain Of Salt

Been playing this all day. Just one of those days when something sticks. Turn it up a notch.

http://www.youtube.com/watch?v=1ld_tF1AXqs

currently listening to...John Martyn

John Martyn-Sold Air

I seem to spend a lot of my time listening to John Martyn, yet never get bored of him. Favourites on this record have to be 'Over The Hill' and 'Don't Want To Know'. This is arguably his best received album, and is often seen as one of the best down tempo/chill out/soft/'acousticy' records of all time. Jazzy elements keep it interesting from beginning to end with John's lush vocals thoroughly endearing.

Monday, 27 September 2010

Vulgar Picture takes on The X Factor

We're head deep into series 7 of the infamous show and before more and more people drop it from their schedules, I thought it was a good time to write a piece on it. A while ago I read an interesting article about the show, and whether it was a good or bad thing for the music industry. At first glance, most people who care about their music and the industry, will say it's ruining the current state of music. Dominating the chart and dictating christmas number 1s (until last year!), there's no doubt that it's the biggest thing to happen to the industry for quite some time (forgetting internet/downloading...2nd biggest thing doesn't sound as great).

I think the negatives of the show are obvious, and don't need much dwelling on (destruction of originality, emphasis on public humiliation of failed contestants, horrible cliche script from the judges...the list is pretty long). I do, however, believe that the show has brought the industry something big for fans of chart music, and haters of it. Since the birth of the show, millions of people have tuned in weekly and followed the progression of hopeful singers who look to follow their passion. The main problem with this is that so many people go on the show for money and fame (and even admit to this in their audition), but I guess these are so closely related to the life of a pop star that you can't have too much of a go at them for their rather superficial ambitions. It is a problem with this celebrity culture and money obsessed society we live in and not the hopefuls directly.

It may be annoying and it may be ridiculous that the artists and guest performers dominate the charts in the way they do, but I would imagine that it does increase sales in music...something which is a big issue for the industry right now. Also, people are talking about the contestants. Maybe I'm being naive, and it's more about what outfit Cheryl has worn this week, or who looked better out of her and Dannii (you know who you are), or how rude Simon is; but there are a lot of people who are taking an interest in the process and development of the singers. Now don't get me wrong, I hate most of the ideals of the show, and struggle to get through an episode, but if it gets people talking about music and eventually buying it, then I'm all for it (although I guess the argument here is that the people who love the music from the show are more likely to be those downloading singles and not buying albums, although not always). I don't care what music people like, I just want them to be passionate about it, and if The X Factor is making people passionate, then I'm all for it. For the haters, it gives you a stronger sense of appreciation of what you listen to and something to moan about (which we all love).

It definitely isn't the most authentic way to get people interested in unsigned music, but if the show didn't exist then there's a chance music would play even less of a role in those peoples lives. Yes it might leave room for a better show that cares more about the music than money, and it may leave room for a show that is produced in a way that focuses on the artists and not one which shows more adverts and dramatised sob stories than people singing-but the point is that this is what people want, and if it's a choice between this and another Katie Price show (perhaps similar quality), I'd rather it be one that gets people talking about music.

I think that when I used to criticise the show and get angry at it, I was ignoring the fact that it's not meant for me. It's not meant for anyone who takes their music too seriously, or likes to discover an unsigned band in a subtle way, or listen to someone who writes their music and cares about it. The X Factor doesn't claim to cater to this. It's an entertainment show first and foremost. At the end of the day it's getting people talking about music, so I can't complain. It may be unfortunate, but it's a sign of the times. I can't imagine a show like this being as successful in the 70s, but then, times have changed and the way people 'buy' (/download) their music has changed. The show is a perfect reflection of our society and if you want things to be more authentic/real and less dramatised, money-orientated and hideously superficial, then we need to look to change society first. This, however, is a job for others.

currently watching...The Thirst

Acoustic set-up:

http://www.youtube.com/watch?v=9LA2Z-enRJI

Brixton-based band, you can hear them here: http://www.myspace.com/thethirstrockband

Ryan Adams documentary on the way...

Acclaimed rock photographer, Danny Clinch, founded film production company 'Three On The Tree' back in 2003. After spending a year with Ryan Adams and The Cardinals in 2005, during which time Ryan released 3 records, Danny collected material to make a feature-length documentary on the hard-working musician.

Can't wait for this-will be great to get a glimpse of Ryan's outrageous creativity. Expect/hope for this one in the not too distant future.

currently listening to...Club 8

Club 8-Club 8

The Swedish duo's third album. This record marked a change in sound for the band, moving towards trip-hop grounds. The whispery vocals of Karolina Komstedt shine through. A great listen.

New Music #12 Let's Buy Happiness

Quite a bit of hype about this band right now. With big praise from Drowned In Sound, BBC Music and other reviewers, they seem to be heading in the right direction. There's some (slight) similarity to Warpaint (see NewMusic #1), although they're definitely not quite as interesting. Other similarities have included The Sundays, Bjork and (wait for it,) Diana Vickers!

Hailing from Newcastle, this 5 piece will pick up fans along the way by combining their soft melodies with poppy overtones. By no means my favourite band right now, but there's something rather charming about their sound and they're probably one to look out for.

Listen here: http://www.myspace.com/letsbuyhappinessuk

Sunday, 26 September 2010

currently listening to...The Doors

The Doors-LA Woman

The sixth and final studio album (with Jim) from The Doors. Probably their most bluesy record, with this showing the obvious development from their debut album. Often seen as their best work, although I always struggle to choose between this and 'Strange Days'.

Check 'Been Down So Long' and 'Car Hiss By My Window' for just a couple of the highlights.